Hooking up with mouthy muscle-car-driving white-trash waitress Piper (Amber Heard), Milton sets off in pursuit, all the while attempting to avoid the attentions of Satan’s right-hand man, The Accountant (a majestically arch William Fichtner). Nicolas Cage is on teeth-baring, eye-rolling form as John Milton (nice), the deceased felon who busts out of hell to track down the Southern death cult who kidnapped his baby granddaughter.
So it’s great to see a film which gets it right: Patrick Lussier’s second 3D movie following 2009’s well-received ‘My Bloody Valentine’ may be a bit too slickly self-aware for its own good, but it’s also rivetingly paced, outrageously funny and makes retina-scorching use of the new 3D technology. Hollywood’s attempt to recapture the sleazy spirit of 1970s exploitation movies has resulted in all manner of abominations, from Quentin Tarantino’s dire ‘Death Proof’ to last month’s redundant remake of ‘The Mechanic’.
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